Monday, September 22, 2014
You never quite know what you’ll find happening in the city
of Vicenza.
Take, for example, a commemoration honoring the 500th
anniversary of Magellan’s voyage around the world. Why in Vicenza? Magellan
didn’t make it home from the 2-year cruise, struck down in a hail of spears on
a remote Phillippine island, after turning his canon on indigenous residents,
having chosen the wrong side during a local rebellion. But Antonio Pigafetta, a
Vicentino scholar and paying passenger on the ship, survived the attack. Upon
his return he gave the only eyewitness account of Magellan’s untimely end. Pigafetta’s
house still stands in Vicenza, the finest example of Gothic architecture in the
city, and an oft-visited destination on the architectural walking tour, which
mostly includes the finest examples of works by Palladio.
Unexpected things always appear year-round in little Vicenza,
less known than its nearby sisters Venice and Verona, both easily accessible,
about a half hour distant. A re-enactment of Pigafetta’s return home included a
procession of costumed actors followed by horn players, drummers and
flag-throwers, who stopped intermittently among Vicenza’s narrow cobbled
streets and Renaissance plazas to perform balletic routines to stirring drum
rolls. The procession ended on Pigafetta’s doorstep, where the great man
himself read from his diaries of the circumnavigation completed five centuries
ago.
In the town square called the Piazza Signori, a thriving
market of delicacies was in progress, and later in the day local residents
could be seen sampling from the stalls: cheeses, salumeria, exotic honeys,
rustic breads and the first black truffles of the season.
Thursday, September 18, 2014
A BUSY WEEK FOR PATRIZIA SANDRETTO RE REBAUDENGO
In a whirlwind week, two extraordinary events occurred in northern
Italy, both under the stewardship of Patrizia Sandretto Re Rebaudengo.
On the night of Wednesday, September 10 at the Fondazione
Sandretto Re Rebaudengo in Torino, a traveling exhibition showcasing the finalists
to this year’s Prix Pictet launched. This year’s theme, Consumption, introduced by Pictet’s Stephen Barber at a gala
reception, themes the world’s most prestigious annual photography prize. You
can visit this important show at the Fondazione’s impressive and expansive
space, a converted factory, through October 12.
The following Sunday, September 14, Divine, an installation focusing on highlights from the 20th
century costume jewelry collection of Patrizia Sandretto Re Rebaudengo, opened at Ca’D’oro in
Venezia. A gathering of local luminaries and international guests witnessed the
official launch of the show. Over 400 objects notable for their history and elegance
are displayed in the Galleria Georgio Franchetti, remaining on exhibit through
January 11, 2015.
In her exhibition notes, Sandretto re Rebaudengo says she
first developed interest in accessible costume jewelry designs because they
represent a cultural heritage that “brings us back to hard times and great
social change.” But you will find they are also remarkable for their
craftsmanship and inherent beauty.
Fondazione Sandretto
Re Rebaudengo
Via Torino Modane 16, Torino
tel. +39 011 3797600
Via Torino Modane 16, Torino
tel. +39 011 3797600
www.fsrr.org
Ca D’Oro Galleria
Giorgio Franchetti
Cannaregio 3932, Venice
Tue-Sun: 8:15 to 19:15 / Monday: 8.15-14
www.cadoro.org
Cannaregio 3932, Venice
Tue-Sun: 8:15 to 19:15 / Monday: 8.15-14
www.cadoro.org
Prix Pictet reception in Torino |
Patrizia Sandretto Re Rebaudengo in Venezia |
Stephen Barber introduces the Prix Pictet exhibition in Torino |